BEAUTY AND THE BEAST at the London Palladium; What Did the Critics Think?
Disney’s beloved Olivier Award-profitable stage musical Elegance and the Beast – re-imagined and re-built in a absolutely new creation staged by associates of the unique award-winning creative group – is now open at the London Palladium for a strictly limited year until finally Saturday 17 September.
Courtney Stapleton and Shaq Taylor participate in the legendary guide roles.
Natural beauty and the Beast is reimagined in startling new models which use the newest theatrical innovations. Olivier Award nominee Matt West directs and choreographs this new manufacturing, leading a group that incorporates composer Alan Menken, lyricist Tim Rice, bookwriter Linda Woolverton, scenic designer Stan Meyer, costume designer Ann Hould-Ward and lighting designer Natasha Katz.
Let’s see what the critics are stating…
Cindy Marcolina, BroadwayWorld: Jogging at two and a 50 % hrs, such as as quite a few darkish points as the authentic movie, it may possibly not be the wisest alternative for the very little types in the audience, but Disney supporters will appreciate it. It’s a dreamy, effectively-mounted output with a soaring, luxurious score. It really is as significant as musical theatre will get.
Suzy Evans, London Theatre: In the long run Beauty and the Beast hits all the marks you want from a heartwarming Disney present. You know what you might be signing up for, and the present updates and tweaks make Belle’s trailblazing story of sacrifice all the extra related. Ladies shouldn’t have to give up their autonomy to inspire transform, but it truly is validating to don’t forget that a person lady can have huge energy in shifting a community and the planet.
Alice Saville, Evening Normal: Penned by unique composer Alan Menken and new lyricist Tim Rice, the further songs are occasionally a lot less thriving, with the exception of the wistful, spirited waltz ‘Human Again’ and the Beast’s spinetingling solo ‘If I Cannot Like Her’. But this creation zips via its story with an agility that its lumbering Disney stablemate Frozen the Musical will have to be jealous of, pausing only to thrill the viewers with magic tricks (the beast’s transformation is a question). All in all, it truly is an extravagant, memorable update on a tale which is as aged as time, but as exhilarating as at any time.
Andrzej Lukowski, Time Out: The title music stays an absolute banger, and if you just want two and a fifty percent several hours of general musical theatre things taking place, spectacularly, and vaguely in alignment with an old Disney film, then fill your boots. Disney effectively owns this tale now, at least as far as musicals go, and even though there are several depressing items about that, it unquestionably appears to be like like a dream.
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